The Prelude and Fugue in F♯ major, BWV 882, is a keyboard composition written by Johann Sebastian Bach. It is the thirteenth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
Analysis
Prelude
The prelude is 75 measures long and has two voices for the most part. Addition voices were added in the concluding measures for the sake of enriching the harmony.[1] This prelude has a punctuated rhythm, similar to the style of a French overture. Bach also wrote out the ornaments himself.[2]
Fugue
The fugue is 84 measures long and in the form of a gavotte.[1][2]
This piece is the thirteenth piece in The Well-Tempered Clavier, which divides the first and second half of the work. The prelude has a distinct Gallic flair; with its ornamentations and dotted rhythms, it reminisces of the 16th variation of the Goldberg Variations, which also divides the work in half, and is also in French style.[2]
References
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| Organ |
- Fugue in G minor, BWV 131a (doubtful)
- Sonatas, BWV 525–530
- Prelude and Fugue in C major, BWV 531
- Prelude and Fugue in D major, BWV 532
- Fantasia and Fugue in C minor, BWV 537
- Toccata and Fugue in D minor ("Dorian"), BWV 538
- Toccata and Fugue in F major, BWV 540
- Fantasia and Fugue in G minor ("Great"), BWV 542
- Prelude and Fugue in A minor, BWV 543
- Prelude and Fugue in B minor, BWV 544
- Prelude and Fugue in C minor, BWV 546
- Prelude and Fugue in E minor ("Wedge"), BWV 548
- Eight Short Preludes and Fugues, BWV 553–560 (doubtful)
- Fantasia and Fugue in C minor, BWV 562
- Toccata, Adagio and Fugue in C major, BWV 564
- Toccata and Fugue in D minor, BWV 565 (doubtful)
- Prelude (Toccata) and Fugue in E major, BWV 566
- Fantasia ("Pièce d'Orgue") in G major, BWV 572
- Fugue in G minor ("Little"), BWV 578
- Passacaglia and Fugue in C minor, BWV 582
- Concertos, BWV 592–597
- Pedal-Exercitium, BWV 598
- Orgelbüchlein, BWV 599–644
- Schübler Chorales, BWV 645–650
- Great Eighteen Chorale Preludes, BWV 651–668
- Chorale partita Sei gegrüßet, Jesu gütig, BWV 768
- Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
- Neumeister chorales, BWV 1090–1120
- Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128
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| Keyboard |
- Inventions and Sinfonias, BWV 772–801
- English Suites, BWV 806–811
- French Suites, BWV 812–817
- Partitas, BWV 825–830
- Overture in the French style, BWV 831
- Well-Tempered Clavier, BWV 846–893
- Book 1
- Book 2
- Chromatic Fantasia and Fugue, BWV 903
- Fantasia and Fugue in C minor, BWV 906
- Toccatas, BWV 910–916
- Six Little Preludes, BWV 933–938
- Italian Concerto
- Harpsichord solo concertos
- Goldberg Variations
- Aria variata alla maniera italiana, BWV 989
- Capriccio on the departure of a beloved brother, BWV 992
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