Let's Cut the Crap & Hook Up Later on Tonight
| Let's Cut the Crap & Hook Up Later On Tonight | ||||
|---|---|---|---|---|
|  | ||||
| Studio album by | ||||
| Released | 1998 | |||
| Recorded | Philadelphia, PA | |||
| Genre | Rock, alt-country | |||
| Label | Black Dog | |||
| Producer | Marah | |||
| Marah chronology | ||||
| 
 | ||||
| 2004 rerelease | ||||
|  The Cover Art for the rerelease of LCTC | ||||
| Review scores | |
|---|---|
| Source | Rating | 
| AllMusic |      [1] | 
| Pitchfork Media | 8.9/10[2] | 
Let's Cut the Crap & Hook Up Later On Tonight (LCTC) is the debut album by the American band Marah, released in 1998.[3][4]
Track listing
- "Fever" – 4:28
- "Another Day at Bay" – 1:37
- "Eventually Rock" – 1:35
- "Formula, Cola, Dollar Draft" – 4:43
- "Baby Love" – 1:52
- "Phantom Eyes" – 2:29
- "Rain Delay" (featuring Harry Kalas) – 2:38
- "Firecracker" – 4:16
- "Head On" – 2:51
- "For the Price of a Song" – 3:00
- "Boat" – 2:37
- "Limb" – 9:12
- "Punk Rock Radio" (Hidden Track) – 6:24
Personnel
- David Bielanko - singing, guitar, banjo, accordion moment, dulcimer, Marlboro Lights, secretarial duties, mess-ups, etc.
- Serge Bielanko - background singing, guitar, banjo, harmonica, steel drum moment, punk rock radio, mess-ups, etc.
- Danny Metz - stand-up, sit-down bass, South Philly do-wop moment, cell-phone, beeper, mess-ups, etc.
- Ronnie Vance - drums, cymbals, sticks, sweet spot or not, shouting, mess-ups, etc.
Rerelease
In 2004, the album was rereleased on Marah's own PHIdelity label. In addition to new cover artwork, the rerelease included 6 previously unreleased tracks:
- "Night Time"
- "Borderline"
- "Family Meeting"
- "Johnny & the Flower"
- "Dance 'till Dawn"
- "Muskie Moon"
References
- ^ "Let's Cut the Crap and Hook Up Later On Tonight Review by Nathan Bush". AllMusic. Retrieved May 22, 2024.
- ^ Pitchfork Media review Archived 2008-03-23 at the Wayback Machine
- ^ Klinge, Steve (September 1998). "Reviews". CMJ New Music Monthly. No. 61. p. 52.
- ^ Morris, Chris (July 15, 2000). "Quick Hits". Billboard. Vol. 112, no. 29. p. 70.