Jacques Viot (writer)
Jacques Viot  | |
|---|---|
| Born | 20 November 1898 | 
| Died | 29 January 1973 (aged 74) Nantes, Loire-Atlantique, France  | 
| Alma mater | HEC Paris | 
| Occupation | Writer | 
| Years active | 1935–1964 (film) | 
Jacques Viot (1898–1973) was a French novelist and screenwriter.[1][2]
After service in the artillery during the First World War he became involved with the Surrealist movement. From the mid-1930s he began working on screenplays, collaborating with directors such as Marcel Carne, Jacques Feyder and Marcel Camus.
After the war, he enrolled at HEC Paris where he obtained a diploma, then worked in an insurance firm in Nantes.[3]
Selected filmography
- Beautiful Days (1935)
 - Under Western Eyes (1936)
 - People Who Travel (1938)
 - The Tamer (1938)
 - Daybreak (1939)
 - Carmen (1942)
 - Marie-Martine (1943)
 - The Ménard Collection (1944)
 - Lunegarde (1946)
 - Back Streets of Paris (1946)
 - The Woman in Red (1947)
 - The Long Night (1947)
 - Night Express (1948)
 - Juliette, or Key of Dreams (1951)
 - The Call of Destiny (1953)
 - The King's Prisoner (1954)
 - The Air of Paris (1954)
 - House on the Waterfront (1955)
 - Black Orpheus (1959)
 
References
- ^ Crisp p.133
 - ^ Berg p.175
 - ^ Jacques Viot, le scénario d'une vie aventureuse
 
Bibliography
- Crisp, Colin. French Cinema—A Critical Filmography: Volume 2, 1940–1958. Indiana University Press, 2015.
 - Richardson, Michael. Surrealism and Cinema. Berg, 2006.
 
External links
- Jacques Viot at IMDb